Berlin ~ REH Kunst ~ Katarina Šević and Tehnica Schweiz: Gasium et Circenses

Berlin ~ REH Kunst ~ Katarina Šević and Tehnica Schweiz: Gasium et Circenses from thekarte.org on Vimeo.

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Gasium et Circenses; May 15 – May 25, 2013; REH Kunst, Kopenhagener Strasse 17, 10437 Berlin

Interview with Gergely László; artist: Katarina Šević and Tehnica Schweiz (Gergely László & Péter Rákosi); curated by Hajnal Németh, Valeska Hageney.

The first part of the double-exhibition Gasium et Circenses is a complex art project that will be realized in various media simultaneously. The focus of the performance is an abandoned open stage in Budapest and its surroundings that have become the stage for the peripheries’ history. In the ancient times it was a colony in the northern parts of the country, the hidden corners of the Roman Empire in a way.

Berlin ~ Nolan Judin ~ The Beautyful Ones

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The Beautyful Ones; April 20 – July 06, 2013; Nolan Judin, Potsdamer Straße 83, 10785 Berlin

Interview with Storm Janse van Rensburg; artist: Dineo Seshee Bopape, Kudzanai Chiurai, Georgina Gratrix, Andrew Gilbert, Kiluanji Kia Henda, Gerald Machona, Gerhard Marx, Meleko Mokgosi and Athi-Patra Ruga; curated by Storm Janse van Rensburg.

In 1968 the Ghanaian author Ayi Kwei Armah published a brutal and visceral novel of (then) contemporary, post-Inde­pendent Ghana, titled “The Beautyful Ones Are Not Yet Born”. Armah recounts an unnamed man’s struggle in a soci­ety rotten to the core, a result of the aftermath of colonial­ism, and the failures of the new regime. A dream deferred…

The exhibition The Beautyful Ones takes as its starting point Armah’s utopian lament for a better Africa, and the ongoing problematics of the representation of the continent, especially in the popular European imagination. Africa is often perceived as a monolithic entity, whilst the complexity of its multiple realities, histories, narratives and voices are often lost.

For The Beautyful Ones, South African curator Storm Janse van Rensburg has brought together nine young international artists: Dineo Seshee Bopape, Kudzanai Chiu­rai, Georgina Gratrix, Andrew Gilbert, Kiluanji Kia Henda, Gerald Machona, Gerhard Marx, Meleko Mokgosi and Athi-Patri Ruga. Originating from Angola, Botswana, Scotland, South Africa and Zimbabwe, they are now operating, working and living between many places, but with a common thread linking them and aspects of their practice to Southern Africa. Exemplary of a generation of contemporary artists that are mobile, and whose practices resists easy clas­sification, the exhibition includes a selection of works that connects to the artists’ social and political realities, entan­gled with their personal lived experiences.

On the one hand, the exhibition might suggest that these are ‘The Beautyful Ones’ yearned for by Armah, whilst on the other hand some artists perhaps presents ideas and realities that questions, if indeed, the dream is not deferred once again.

Prague > MeetFactory > 16 – 20 000 Hz

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16 – 20 000 Hz; April 11 – May 24, 2013; MeetFactory; Ke sklárně 3213/15, 150 00 Prag-Prag 5, Tschechische Republik; Geotag Icon Show on map.

Interview with Daniel Vlček; artist: Martin Andersson, Jana Babincová, Milan Guštar, Morgan O’Hara, Tom Kotik, Jan Krtička, Hanne Lippard, Radio Lemurie, Matěj Smrkovský, Jiří Valoch, Tomáš Vaněk, Lenka Vítková and Zimoun; curated by Daniel Vlček and Miloš Vojtěchovský; exhibition architecture: Radim Labuda.

The Exhibition 16 – 20 000 Hz presents primarily Czech artists working with sound. The show aims to be an invitation to explore a variety of soundscapes. Textual artworks, kinetic and acoustic objects and interventions into the electromagnetic space are connected at the project space as a site-specific installation. This extends into three rooms: the first one is dominated by the multimedia installation of Milan Guštar and monumental murals by the American artist Morgan O’Hara; the second room is occupied by the audiovisual installation of the Swiss artist Martin Andersson juxtaposed by Matěj Smrkovský’s rotating barrels and the last room is dedicated to the site -specific installation by Zimoun. In the interview, curator Daniel Vlček explains a process of collaborative conceptualisation of the show which was developed with the co – curator Miloš Vojtěchovský.

The exhibition presents the works by Czech and international artists including Martin Andersson, Jana Babincová, Milan Guštar, Morgan O’Hara, Tom Kotik, Jan Krtička, Hanne Lippard, Radio Lemurie, Matěj Smrkovský, Jiří Valoch, Tomáš Vaněk, Lenka Vítková and Zimoun.

    MeetFactory was founded in 2001 by David Černý. The purpose of this organisation is to support and develop contemporary art and culture and to make it accessible to the public. MeetFactory is unique in its attempt to connect art, theatre, film, music and educational programs. It also provides its facilities to its resident artists, who come from all around the world, thereby connecting the domestic and international art scenes.

http://meetcatory.cz

Berlin > Komart Gallery > Viktor Frešo: Pure For You

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Viktor Frešo: Pure For You; March 20 – April 15, 2013; Komart Gallery; Fasanenstraße 31, 10719 Berlin, Deutschland; Geotag Icon Show on map.

Interview with Viktor Frešo; artist: Viktor Frešo; curated by Peter Sokol.

Pure For You is an exhibition of objects concerned with the intimate relationships between religion, music, and Pop Culture. Almost one year in the making, distinctive series “Mother & Child” by Slovak artist Viktor Frešo (*1974), combines musical equipment with scenes from Christian iconography. An act that at its root remains provocative in nature and oftentimes repressed in culture.

Viktor Frešo lives and works in Bratislava. He studied in Bratislava at the Academy of Fine Arts and in Prague at the Academy of Fine Arts where he graduated and received his diploma in 2003. Frešo belongs to the most remarkable figures of the contemporary art after the year 2000 in the region of the former Czechoslovakia. His work and overall approach to art is rather untypical but at the same time they reflect the situation in the society and culture.

http://www.komartgallery.de; http://viktorfreso.com

Kyiv > PinchukArtCentre > PAC – UA / Alexey Salmanov: Forest Means Cheaper

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PAC – UA / Alexey Salmanov: Forest Means Cheaper February 16 – March 17, 2013 PinchukArtCentre Chervonoarmiis'ka street, Kiew, Kyiv city, Ukraine Geotag Icon Show on map

Interview with Bjorn Geldhof. Artist: Alexey Salmanov.

 Curated by Eckhard Schneider & Bjorn Geldhof.

The exhibition ‘Forest Means Cheaper’ by Alexey Salmanov at the PinchukArtCentre in Kiev presents works made in particular for this show. The performative project was realized in New York and its framework develops multi-layered approach attacking a legitimacy of various mythological and historical events. By this method, the artist attempts to show human greed and desire for a wealth acquisition.

The installation extends into two rooms: the first one is an archive of the project and video projection is staged in the second room. 
Alexey Salmanov’s exhibition is organized under the framework of a series PAC – UA which follows works of mainly young and local artists. Alexey Salmanov (b. 1976) is the winner of the Special Prize of PinchukArtCentre Prize 2009.

Alexey Salmanov says about his project at the PinchukArtCentre: “Initially I wanted to speak about the presence of China in the geopolitical arena. During its realization, the project transformed into a completely different story. Its prologue has to do with the history of Manhattan, which was acquired by Europeans from Indians for a handful of necklaces that cost around 24 dollars. So I arrived in New York with a commercial proposal to buy this huge island once again for 25 monetary units, this time not American, but Chinese, 25 Yuans. I produced a poster saying “Will Buy Manhattan for 25 Yuans” and walked with it during the day through the busiest Manhattan streets.”

Alexey Salmanov graduated from the International Solomon Institute. He lives in Kiev.